The nature and its tremor is a mechanism of scenic intervention in the public space where with the tools of theatre, theatrical machinery and cinema, and taking part directly on public space and reality, wants to wake up in the viewer possibilities of perception that do him look and comprise reality in a diferent way.
The nature its tremor
Produced by:
Festival GREC de Barcelona, Govern Basc, Bulegoa, Societat Doctor Alonso and Moare Danza
With the support of: Generalitat de Catalunya and l'INAEM
What moves the tissue?
The air / the fan
What moves the tissue?
The fan / the music
And that moves air?
The tissue?
Who moves Nina Simone? ...
What moves the fan?
The ir / the tissue
Who moves the tissue?
The fan / Electricity
What moves the air?
The tissue? / Your hair / the fan / Nina Simone / The tissue
What moves you?
The air / the fan
Who moves the fan?
The theater (...) / The tissue / Electricity
What moves the Theatre (...)?
The fan / Electricity / The audience? / The tissue / The air / Your eyes
Who moves the tissue?
The fan / Your eyes / The air
What moves the tissue?
The air
Who moves the tissue?
The fan / My eyelashes
What it move?
The scarf / The air / The hands
What moves the hands?
Electricity / the sound
What moves the sound?
The tissue / Nina Simone
Introduction to the introduction
director: Tomàs Aragay
creation and performance: Sofia Asencio
scenographie and ligthing: CUBE. bz
production: Sònia Isart
distribution: Iva Horvat. ivahorvat72@gmail.com
*photography : Maria de la Camara, Urska Boljkovac
With the collaboration of :
BUNKER, Liubliana
Agora de la danse, Montreal
Teatro Pradillo, Madrid
With the support of the Generalitat of Catalunya and the INAEM.
La glorieta (Creative laboratory)
Small Glory.
A meeting of different out of order artists to trace a commune map without the requirement to focus all their different interests in the same way.
We are there to mix all our languages, practices and tools to start working, to loss ourselves, and from there look at reality again.
La glorieta becomes then an observatory. A group of artists observing and blindly describing what they don not see. It is a tool that allows us to re look at reality, to activate a personal and singular eye.
To look at what we already do not see any more, that it presents every day in front of us like a plain and insignificant frame. To reactivate our observation, a decisive one, critic in front of reality and in front of oneself.
It is a oblique strategy to look for the peripheral , the revel phantoms and a deconstruction our position of power in the creation process.
With: Tomás Aragay, Sofía Asencio, Chus Dominguez, Espe López, Idoia Zabaleta y artistas invitados.
A coproducctión with Azala espacio de creación escénica, Museo de Arte Contemporáneo de Vitoria Artium, CCCEscorxador de Elche, Centro de las Artes de Sevilla-Endanza y El Matadero de Madrid.
with the suport of: CoNCA (Generalitat de Catalunya), INAEM, Institu Ramon Llull (IRLL).
Caldo primordial is an artistic action in a specific space. Abstract. Not narrative.
Length: 30 min
Idea: Tomàs Aragay and Sofía Asencio
Creation and performance: Sofía Asencio, Ramón Giró
Production: Sònia Isart
Commissioned by La Porta for the context of LP'11
With the support of the CONCA and the INAEM.
"How many times have I too, who laugh at such seductive distractions, find myself conjecturing how wonderful it would be to be famous, how pleasant to be fussed over, how exciting to be triumphant." Fernando Pessoa
The raw, stark desolation of Pessoa's views and thoughts take the reader to a state close to serious introspection. On stage, Societat Doctor Alonso creates a humoristic tone which emphasises the incredible capacity of Pessoa, in order to describe and reveal the great absurdity which envelops our existence.
This is a world of person-personalities who find in Pessoa the perfect refuge through which to interpret the often hostile and incomprehensible world in which we live. The characters are several solitary souls who find solace together having discovered their own private space in this small, desolate yet somewhat absurd fan club.
Director and playwright: Tomàs Aragay
Performers: Sofía Asencio, Mia Esteve, Ramón Giró and Luis Carlos Viejo.
Sound technician: Nilo Gallego
Stage design and lighting: CUBE.bz
Production: Sònia Isart-Societat Doctor Alonso
Distribution: Iva Horvat, iivahorvat@gmail.com
Co-produced by the Free Theatre Societat Doctor Alonso and the Cultural Council of Ferrol, for the Free Radicals Cycle.
With the support of the ConCA-Department of Culture of the Catalan Government and the INAEM.
With the participation of Sant Mori Town Council and Pontós Town Council.
One of the main goals of the company led by Tomàs Aragay and Sofía Asencio is to occupy the stage in an ever-different manner. The company use the idea of a dance floor with a strange DJ, a woman dancing and several poetic accidents - in order to reveal the least spectacular of all: the poetry of the pathetic.
Co-produced by: Teatre Lliure, Societat Doctor Alonso and EADC
Director: Tomàs Aragay / Playwright Tomàs Aragay and Sofia Asencio / Stage design and lighting CUBE/ Sound technician Nilo Gallego.
Performers: Sofía Asencio / Nilo Gallego
Management and production design: Elena de la Vara / Assistant Producer Ariadna Cisquella
Distribution: Iva Horvat, iivahorvat@gmail.com
With the participation of Nau Coclea, La Mercè Cultural Centre of Girona and Pontós Town Council.
Thanks to Segi Faüstino
With the support of the Department of Culture of the Catalan Government (EADC) and the INAEM - Ministry of Culture.
Portraits, or If I were is a series of body portraits seen through the body of a dancer. It is an appropriation of the body of another, of identity expressed in bodily movement. An anthropological work of the movements of bodies of nameless people from around the world. A choreography, a ritualisation of particular and non-transferable movement.
"However, beyond this first layer of objective observation of the portrayed being, Portraits, or If I were, is also an exercise in science fiction, in which there is, on the one hand, the space, the objects and the life of the woman portrayed, and on the other, a foreign body, my own, which it replaces.
Portraits was created from the desire to be another person, to have another body and another life.
Finally, on speaking about others I speak about myself.
This perversion is the tension which sustains each portrait."
Sofia Asencio
A project by Societat Doctor Alonso. Tomàs Aragay / Sofía Asencio.
Performer: Sofía Asencio.
Creation: Ivó Vinuesa, Alex Reynolds, Tomàs Aragay.
Frames and image support: CUBE.bz
Editing: Ivó Vinuesa, Sofía Asencio.
Production: Agnès Mateus and Sònia Isart.
Portraits, or If I were is co-produced by the Cervantes Institute and the Ramon Llull Institute.
With the participation of: Motus (Czech Republic), Dança em Foco (Brazil), Zawirowania (Warsaw), Maqamat (The Lebanon), Nau Coclea (Catalonia), La Casa Encendida (Madrid, Spain), LP (Catalonia) and Festival Panorama (Olot, Spain).
Thanks to Concha and Jose, Mai and Elham, Laia, Margarita, Marcela yiTuigui, Marjorie and the students of the creative writing class of the La Salle University of Manila, Katerina and Irka , Ola and to everyone who made this project possible.
Societat Doctor Alonso received the support of Girona Provincial Government, the Department of Culture of the Catalan Government and the INAEM.