Societat Doctor Alonso

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Estudio para pandereta

"San Juan de la Cruz speaks in his couplets of an 'understand not understanding'.I leave home with Tirso and a tambourine. We seek an ecstasy of great contemplation, imitating the singing of certain birds, but we have no idea what those sounds we emit mean. We begin a journey that closes inwards. Just doing and saying from an iPad, a tambourine and some verses with us. We make ours the maxim of San Juan de la Cruz in Ascent to Mount Carmel where it says that 'To come to what you are not, you must go where you are not'.

In the autumn-winter of 2017 we started this work that relates dance and music with an incarnated mystic will. We consider the movement as a wandering around places with the intention that those signs that we emit are marked and transformed by the external accidents of the journey, sometimes intimate and other abrupt and invasive.

Direction
Tomàs Aragay
choreographs: Sofia Asencio
Creation and interpretation: Tirso Orive and Sofía Asencio
Art and design: Beatriz Lobo
Production: Imma Bové
Communication and distribution: Tomàs Aragay tomasragay@gmail.com

Spectacle coproduced by Antic Teatre - Sismògraf - Fira Mediterrània

In collaboration with Ajuntament de Bàscara

CONTRAKANT

CONTRAKANT is a research process against the idea of space from the Kantian´s a prioristic concepts.A work in process that will be premiered at the Mercat de les Flors in the 2019-20 season.

Components of the research: Jaime Vallaure, Tamara Ascanio, Sofia Asencio and Tomas Aragay

ANARCHY

It is an experiment between kaos and order. Obviously the experience is not safe and is very complex, it could be summarized as "if you want silence you have to work it out," or "do what you want." This takeover is not easy. One from birth is linked to their circumstances and dependent on others to get things as vital as food or heat. We (SDA) also depend on the public theaters and governments to run our projects. This is a social interdependence, but neither the public nor the theaters or the governament become our bosses. The problem is that the government is made to command, to manage and govern our actions. Art is an homogeneous space to experiment or play with certain states, certain assumptions. We would like to take this piece to the spirit of live-art, where experimentation is the essential fact, not as an act but as an aesthetic fact, the act of going to theater. The public has the word, the noise and the silence. Each one is responsible. By the sound it will be clearthat the absence of sound and the absence of action is also a choice.

Direction: Sofia Asencio
Dramaturgy: Tomàs Aragay
choreographs: Sofia Asencio
Creation and interpretation: Semolina Tomic
Scenic space and lighting: CUBE
Sound technician: Marc Navarro
Production: Imma Bové
Communication and distribution: Tomàs Aragay tomasragay@gmail.com

Spectacle coproduced by festival TNT - Terrassa Noves Tendències

In collaboration with Ajuntament de Bàscara and Antic Teatre

Y los huesos hablaron

VIDEO

The work "Y los huesos hablaron "1 comes form the willingness to unearth and revisiting two historical con icts that its narrators have wanted to keep invisible on behalf of an alleged stability that had to allow a new socio-political and cultural situation to be born.
It will cope with such hidden con icts that despite the e orts of the society and the establishment to keep them invisible remain at the base of most political and social tensions in both countries today.
The cases of Spain and its civil war, with all the disappeared still to be exhume and recognize in the gutters of the country, and Mexico, with the long process of elimination and castration of the various indigenous cultures that were disappearing after a new single, unitary country called Mexico.
Bounds will talk to the audience. The voice of thouse who never had the voice to explain it's history, or the other site of History.
This piece is the result of an investigations process called; "El desenterrador2" that Societat Doctor Alonso have been developing the last two years.

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Societat Doctor Alonso and Teatro de Babel
Direction
Sofía Asencio and Aurora Cano
Dramaturgy
Tomàs Aragay and Camila Villegas
Creation and interpretation
Nilo Gallego, Hipólito Patón, Ramon Giró and Lluc Baños
Special guest
René Pacheco (Associació per la Recuperació de la Memòria Històrica)
Set
Lluc Baños
Costumes
Societat Doctor Alonso
Video
Ivo Vinuesa
Lighting Design
Cube.bz
Sound design/concept
Nilo Gallego, Ernesto Anaya
Conceptual and philosophical advisors
Jordi Claramonte and Nicolás Alvarado
Production
Imma Bové and Mariana Tejeda
Communication and distribution
Maja Cecuk / Societat Doctor Alonso (Spain) and Teatro de Babel (Mexico)

Andrei Rublev, a paniconografy

This work wants to generate a repertoire of iconographies of the human body, and at the same time to work with the sound and the scenery like symbols of the scenery. Andrei Rublev takes as a starting point and a title the movie of Andrei Tarkovsky rolled in 1966, where the painter iconoclast Andrei Rublev (1360 - 1427) realizes a long trip in the medieval Russia to paint the fresh air of the cathedral of the Asunción of the Kremlin. The work of the singular painter, with its only iconographic style, provokes in the spectator an impact and interior withdrawal due to the use of the inverted perspective, which speaks to us about the art not like a portrait of the reality but like a reality between the realities.

Artistic team

Direction: Tomas Aragay

Dramaturgy: Sofía Asencio and Tomas Aragay 

choreographs: Sofia Asencio

Creation and interpretation: Sofia Asencio and Nazario Díaz

Scenic space and lighting: CUBE. SZ

Production: Imma Bobé

Spectacle coproduced by festival Temporada Alta and Alt Festival of Vigo.

Societat Doctor Alonso receives grants from ICEC  and the INAEM.

On Beauty

A group of eight, nameless people, accompanied by the piano of Agustí Fernández; in a delicate, silent and fragile work, occupy the stage with their time-worn bodies, with gestures and gazes, filled with the beauty granted by the passage of time.

A piece where music and action seek out the beauty hidden behind silence, a beauty free from virtuosity.

Original idea and director: Tomàs Aragay
Musical composition and performance: Agustí Fernández
Assistant Director: Sofia Asencio
Performance and creation: Agustí Álvarez, Salvador Buisan, Ubelsa Gutiérrez , Joan Muntaner, Gloria Virginia Pantoja,
Josep Rodríguez, Neus Solé
Stage design and lighting: CUBE
Sound Technician: Ferran Conangla
Wardrobe: Societat Doctor Alonso
Assistant Producer: Marga Socies
Executive production and management: Estefania Benages

Co-produced by Théâtre Archipel de Perpignan and the Barcelona Grec Summer Festival and Societat Doctor Alonso
With the participation of the Free Theatre Foundation -Barcelona Public Theatre

The undergravedigger

THE UNDERGRAVERDIGGER

This is a research project around body and words.
An investigation carried out by a multidisciplinary team, which will be implemented in a number of residences and workshops in different parts of Spain and South America.
Ending the process in the creation and premiere of stage piece.

"THE UNDERGRAVERDIGGER" wants to look at the words, its corpología and its relation to the body and action.

As the name suggests we will undergrave words in a real and figurative sense. That is, we will work with obsolete words, words whose meaning has changed and taboo words.

The corpología of words is that property which have not only to create and point the physical world, but to generate an ethical world, political system and social order.

This project focus into the close and changing relationship that occurs between words and their use, and the actions that flow from them.
A two directions relationship that gives meaning and body to our way of inhabiting the world.

In these times when it seems that the language tends to a simplification, to sintetize (via technology) and a certain globalization we want to stop and watch this process carefully to observe and try to understand these processes and their impact on our bodies and our acts.

 El Desenterrador site(spanish)

A project that will be developed during 2013/14 in three distinct phases. First collection of words about the need to investigate. In a second stage the meetings, workshops, in different contexts, to investigate and generate plots of body and verbal speech. Finally the creation of a performance piece to collect and share with the public all the materials captured and created throughout this work process.

This project will be developed with: Jordi Claramonte, Jaime Conde Zalazar, Barbara Sanchez and Silvia Zayas.

 

Nature and its tremor

video

Nature and its tremor is a mechanism of scenic intervention in the public space where with the tools of theatre,  theatrical machinery and cinema, and taking part directly on public space and reality, wants to wake up in the viewer possibilities of perception that do him look and comprise reality in a diferent way.

 

introduction to introduction

video

What moves the tissue?
The air / the fan
What moves the tissue?
The fan / the music
And that moves air?
The tissue?
Who moves Nina Simone? ...
What moves the fan?
The ir / the tissue
Who moves the tissue?
The fan / Electricity
What moves the air?
The tissue? / Your hair / the fan / Nina Simone / The tissue
What moves you?
The air / the fan
Who moves the fan?
The theater (...) / The tissue / Electricity
What moves the Theatre (...)?
The fan / Electricity / The audience? / The tissue / The air / Your eyes
Who moves the tissue?
The fan / Your eyes / The air
What moves the tissue?
The air
Who moves the tissue?
The fan / My eyelashes
What it move?
The scarf / The air / The hands
What moves the hands?
Electricity / the sound
What moves the sound?
The tissue / Nina Simone


Introduction to the introduction
director: Tomàs Aragay
creation and performance: Sofia Asencio
scenographie and ligthing: CUBE. bz
production: Imma Bobé

*photography : Maria de la Camara, Urska Boljkovac

With the collaboration of :
BUNKER, Liubliana
Agora de la danse, Montreal
Teatro Pradillo, Madrid

With the support of the Generalitat of Catalunya and the INAEM.